Velma Cross, vocal
piano : Etta Jean Brazil
guitar : Leroy Collins
CP-3277 - He's A Terrible Blow
CP-3278 - Darling, I'm Hoping
Fine Art 214
Velma Cross
And Her High Steppers
James Cohen, Piano
Count Monty, Sax
Leo Johnson, Drums
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| The Hunters |
From Dean Rudland, Beale Street Soul Man - The Sounds Of Memphis Sessions (Ace Records)1. Give Me Wings (Trad., Arr. J. Miles)
2. Have You Tried Jesus
3. How Big Od Is
4. I Saw The World Shining A Hope For Me
1. Lord Make Perfect And Whole
2. God Is Everywhere
3. O Lord You Consider Me
4. I Got That Feeling
Mildred Hoard - 1st soprano
Delsi Adams - 2nd soprano
Barnetta Norwood - 1st alto
Charles Tompkins - Tenor
Frank White - organist
Milton Pullen - piano
Bass & tambourine - Dave Hamilton
Kathy Belanich, guitar, vocals, bells, crumar
Andre Nelson, clavinet
Michael Creary, bass
Martin Samuel, drums
Gordon Kjellberg guitars, bells, background vocals
Barry Kennely, bass, piano
Recorded at Studio1, West Seattle
Engineered/Mixed by Gordon Kjellberg
Jacket design by Kathy Belanich

This record marks the first time in the world the Cimbalom has been recorded with this repetoire and instrumentation. The cimbalom derives from the zither family and from hammer-struck instruments. Although history tells us that an instrument of this type was used in China and Egypt and was unpopular because of its complexity, it found its way to Greece in about 700 B.C. In Greece it is called the Santouri. It flourished in Asia Minor and is now one of the basic regional isntruments in Turkey, Persia, Arabia and Syria. In these parts of the world, those incredibly talented musicians, the Gypsies, first became devotees of the Cimbalom. The Gypsies helped the cimbalom to become the Hungarian national instrument. In England it is called a dulcimer.