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Harvey's Records - # HR 15
Harris enterprise A.F.M.
34461 -Sometime Home Coming
featuring Art StClair
34462 - Irresistible You
(Lloyd & Logan)
1975
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It was recorded at a four track studio in Fairfield, Ohio that was owned by Frank Ruhl. He owned a business selling British sports cars, Karmony Ltd. For him this was strictly a hobby project. There was never any distribution, no airplay, as far as I know none were ever sold. My cousin Gene Toennisson wrote the songs. He had just been drafted and was away. Bill Turner sang, the drummer, I can't remember - he was a session player. I played bass and guitar and did harmony vocals, Frank Ruhl was the engineer and he did the session for free. The Band played only a few gigs and not long after the recording I too was drafted. Years have passed, I have some of Gene's songs on my web site
Norman, Willie and Earl Phelps grew up in the town of South Norfolk (now part of the City of Chesapeake) in the 1910s. The talented brothers were a natural combo, with bass singer Norman playing bass and guitar; baritone Willie on guitar, drums and washboard; and Earl, the youngest, singing sweet tenor and playing fiddle and mandolin.
The brothers made the rounds of local clubs and radio shows, where their beautiful harmony and playful style gained them a loyal following. In 1936 they tested their wings on the national circuit, traveling to New York City and then to Hollywood, where they appeared in 17 films released between 1937 and 1941 – including Painted Desert and Rawhide.
The Phelps returned to South Norfolk in 1940, where they continued to write music, record and perform. Norman and Willie served their country in the US Army and US Navy, respectively, during World War II, while Earl was excused for medical reasons and kept the band going at home. After the war, the three bought the old Norfolk County Club, renaming it Fernwood Farms. The club boasted the largest dance floor on the East Coast, with plenty of room for fans to swing out. The brothers frequently opened for out-of-town acts at the Norfolk Arena and hosted the performers at Fernwood Farms after the show.
The Phelps turned a portion of the club into a recording studio where they recorded not only their own group but other local groups as well. When Patsy Cline performed at Fernwood in the 1950s, she recorded several songs in the studio.
Last night I took a walk after dark
A swingin' place called Palisades Park
To have some fun and see what I could seeThat's where the girls are
I took a ride on a shoot-the-chute
That girl I sat beside was awful cute
And after while she was holdin' hands with me...
New Yorkers traveling along Riverside Drive will never forget the special glimmer of lights that rose off the top of the Palisades cliffs. Clearly visible from Manhattan, this view of Palisades became the inspiration for the 1962 Freddy Cannon hit song « Palisades Park ». Through this classic rock’n’roll hit, the rest of the world learned about the little park we all loved so clearly.
...
The park seemed larger than life for most of is visitors. Ferris wheels towered high into the sky. Majestic buildings stood tall with colorful facades inviting patrons to come inside. Midways stretched endessly in all directions, each offering a unique vlend of colors, sounds, and attractions. [Vince Gargiulo : Palisades Amusement Park, book]
60 - Century Ltd 606 Carol / Be My LoveAn instrumental called "No Matter What Shape" that was used in Alka Seltzer commercials in 1965, was performed by a band called The "T-Bones" consisting of : Danny Hamilton, Joe Frank Carollo and Tommy Reynolds.
61 - El Jay 100463 : Five Elephants In A Volkswagen / Twistin' Mississippi
66 – Block 510 : Can’t Find A Way / Won’t You Come Home
66 – ABC10782 : Can’t Find A Way / Won’t You Come Home
The 'Original' Villagers were an R&B (Beach) band hailing from Union and Whimire in upstate South Carolina between "1965 - 1969". The 8-9 member group enjoyed popularity with the college and high school crowds from Virginia to Florida and as far west as Arkansas. The 'Original' Villagers could often be found backing-up the popular R&B vocal groups touring the south in those days such as The Platters, The Showmen, The Radiants and others in "live” performances in the tri-state area. They were also a front band for the “Pieces of Eight” for a period of time after the “Pieces” rise in popularity with their recording “Lonely Drifter”. The Villagers performed in places like “The Red Rooster” in Panama City, Fla., the Pavilion at Myrtle Beach, and , of course, at fraternities and sororities in every major college and university in the southeast. The group recorded two 45-rpm records. The first was recorded and released in 1966 on the TVU label titled “Send Down All Your Lovin’, b/w Tossin and Turning, their version of the 1961 hit recorded by Bobby Lewis. The second release was an instrumental entitled Bye Bye J. J. b/w Love is the Word on the Emerald Label and recorded in Greenwood under the name “The Townsmen” in 1967. They briefly performed using that name before reclaiming their original name, The ‘Original’ Villagers a few months later. The groups’ final performance was in October, 1969 at a University of Alabama frat party. By that time, the draft and Viet Nam war had taken half of the band, and the remaining members decided to go their separate ways.
Ken Sparks Keyboards, The Original Villagers
Born Durwood H. Crosby in Houlton, Maine, Harold Crosby grew up in the state of Maine, graduated from high school in the rural community of Albion, Maine. After graduation, Harold worked at many jobs, construction,tree surgeon and worked for a TV store putting up TV antenals. Music was always in the back of his mind. At this time Uncle Sam called, Harold spent the next 21 years in the service of his country. Music was always very near and he played his brand of country music all over the world.Read more here.
Dan Morgan** vocal on Tell Me Baby
Tom Charleville**
Steve Mulliken
Sal Kuenzler