Calico on Gateway

CALICO

Vincent Sadovsky : Vocals, Banjo, Six And Twelve String Guitars
Karen Sadovsky : Vocals, Six String Guitar

Gateway Records
1979

This Side (40525)

East Street Getaway (Vincent Sadovsky)
Muddy Boggy Banjo Man (R.Hubbard)
Love Is Live A Butterfly (Dolly Parton)
Valley Of Live (Vincent Sadovsky)
Juggernaut (Vincent Sadovsky)
Some Of Shelly’s Blues (Michael Nesmith)

That Side (40526)

Embryonic Journey (Jorma Kaukonen)
I’ll Walk Along (Vincent Sadovsky)
Second Story Window (Mark Benno)
Them Dance Hall Girls (A. Fraser)
Nashville Skyline Rag (Bob Dylan)
So Many Goodbyes Vincent Sadovsky)

Recorded in Rite Record Productions Studio
Recording Engineer : Phil Burkhartd
Producer : Danny Burton




From MySpace

Vincent Sadovsky is no stranger to the music industry. In 1973 he opened an acoustic music store in Rochester, Michigan which he and his wife operated for over 30 years.

He has taught guitar, banjo, mountain dulcimer, and autoharp since 1970, and has become one of the most sought after instructor’s in Michigan for composition and technical ability for guitar and 5-string banjo. He currently teaches Guitar and 5-string Banjo at his teaching studio: Rochester Folk Workshop.

Over the year’s, Vincent has appeared on television and radio broadcasts. His performing has taken him from coffeehouses to festivals, to performing for dignitaries including former President, George Bush Sr. His expertise allowed him to become an "Artist In Residence" for the Michigan Council for the Arts. His passion for acoustic music led him to found and establish the Paint Creek Fokllore Society, a nationally known society of acoustic musicians which as been active since 1973. Vincent’s playing has appeared on radio and television commericals, documentary films, and as a studio musician on various recordings.



.

The early recordings of Jim & Jesse McReynolds with Larry Roll

Jim & Jesse

The early recordings of Jim & Jesse McReynolds with Larry Roll
A bluegrass classic recorded 1951
Label : Gateway
Distributed by Vetco Records
1977

Side one - #38121

1. I'll Fly Away
2. God Put A Rainbow In The Clouds
3. You Go To Your Church
4. Just A Little Talk With Jesus
5. Sing Sing Sing

Side two - # 38122

1. Let Me Travel Alone
2. Camping In Canaan's Land
3. On The Jericho Road
4. I Like The Old Time Way
5. I'll Be Listening

This is a re-issue of the five singles issued by Kentucky Records (as by Virginia Trio) and by Alcar Records (as by James and Jesse McReynolds) issued by each label with the same release numbers : 509, 510, 514, 515, & 547.

In the late 1940s two young boys from the little town of Coeburn in southwestern Virginia were getting into music. Jim McReynolds played guitar and sang a lovely clear tenor. His brother Jesse sang and played the mandolin. They experimented freely in their music, searching constantly for a musical style that would suit them and yet be « different » from what had gone before.

Their varied influences pointed the McReynolds’ vocal style onto a path quite distinct from that simultaneously being explored by a couple of close neighbors – Carter and Ralph Stanley.

Just as the Stanleys did, Jim and Jesse first worked on their own in Norton, Virginia, and nearby West Virginia, calling their band « the McReynolds Brothers and the Cumberland Mountain Boys ». Around 1949 they went with Hoke Jenkins and Curly Seckler to Augusta, Georgia, where they tried a conventional Blue Grass format. In 1951, feeling a need to test something different, they put together a western-style band including steel guitar and went to Kansas. They did a « Sons of the Pioneers » type show featuring numbers like « Cool Water » and « Home on the Range ».

They would spend close to a year in 1951 working at WPFB in Middletown, Ohio. While there, they made their first commercial recording for the Kentucky label with Larry Roll. Uncertain as to how the whole thing would go, the boys decided to adopt the name « the Virginia Trio » in case things didn’t work out well.

As it turned out, the sessions were a great musical success. Joined by Larry Roll on the vocals and Dave Woolum on bass, the group produced a lovely collection of sacred trios. And there, one step behind some inspired vocal work, took place the stunning debut of Jesse’s original mandolin roll, later to be dubbed « crosspickin ».

(from the book The Bluegrass Reader, by Thomas Goldsmith)