Debby Lute
31087 ~ I'll Be Wanting You
31088 ~ I Visualize You
Both songs written by D. Lute.
With Elmer Huff, lead guitar; Chuck Watson, bass; Jay Dalley, drums.
A Jack Lynch Production
Jalyn 366
Dayton, Ohio
1973
Debby Lute
31087 ~ I'll Be Wanting You
31088 ~ I Visualize You
Both songs written by D. Lute.
With Elmer Huff, lead guitar; Chuck Watson, bass; Jay Dalley, drums.
A Jack Lynch Production
Jalyn 366
Dayton, Ohio
1973
Discography (as Alessie Barney) at discogs (Randy's Spiritual Record & Dance Hour)
YouTube links:
Sister Alessie Barney: When They Ring Those Bells / Randy's Spiritual Record Co.
Sister Alessie Barney: Strange Things Are Happening / Randy's Spiritual Record Co.
Historic Randy's Record Shop Foundation
Blue Diamonds
15035 – Be My Honey (Ada Larck, Mega City Music BMI)
15036 - You're Gone Again (Ada Larck, Mega City Music BMI)
Top Ten 501
Ada Larck and the Blue Diamonds
17933 There's Gonna Be Heartbreak (A.Larck, Airway-BMI)
17934 Will I Ever Learn (A.Larck, Airway-BMI)
Jalyn 310
Ada Larck and the Blue Diamonds
19269 – In My Dreams (Jaclyn - BMI)
19270 – Go, Go, Go (Jaclyn - BMI)
Jalyn 313
The song went like this:
“There’s a place I know where the cool kittens go, it’s a place that the hippies found, where you stomp and shout and knock yourself out, it’s a place called the Coconut Lounge.”
The song, “Coconut Stomp (Part I),” by Sonny Flaharty and His Young Americans, is as primal and enthusiastic as the day it was cut, 47 years ago.
And that’s the problem.
“It still makes me want to dance,” Flaharty, now 68, confessed, “but I can’t afford the hip replacement.”
While they hailed from Moraine, Flaharty and the Young Americans became the house band at the Coconut, playing their own shows, opening for national acts and even backing acts like The Crystals, which didn’t have a touring band.
“We were always pretty starstruck with the people we were with,” recalled Flaharty, who mostly writes music nowadays for his Unity church in Southern California and has become something of a legend with collectors of ’60s garage-rock records.
While backing The Orlons locally, Flaharty heard a word in their song “South Street” that intrigued him.
Hippie.
“I had never heard that word before,” he said, “but I thought it was cool.”
Cool enough to be included in his own tribute to the kids who hung out at the Coconut.
“They were hip and needed their own dance,” he said.
The song became a regional hit, even making the list of the most-requested songs at the Peppermint Stick, a similar club in Lima.
But pay no attention to the fact that the record says the song was “recorded live at the Coconut Lounge.”
It was actually recorded in a Dayton studio, Flaharty revealed, with the aid of a sound-effects record for crowd noises.
By 1960, I was Sonny Flaharty and the Young Americans' full time drummer. I was still in Junior High School. I stayed with the Young Americans for about 5 years, until we broke up. We traveled every weekend. We backed up many of the early stars. We all were card-toting musicians and I could site read. We worked with Lou Christie, Bobby Vinton, The Shirelles, The Four Seasons, Bobby Darin, Chuck Berry, The Four Tops (we backed the Tops up several times and they offered me a road job but I was still in high school). The list goes on and on but one sticks out with me.
The Rolling Stones came to Dayton, Ohio just about the time the Young Americans were at their peak and we were the opening band for them. We shared the dressing room with the Stones. That is a story all to itself. Soon after that, the group broke up. It consisted of Sonny on lead vocals and sometimes rhythm guitar,Terry Nieus on lead guitar, Mike Flaharty on bass, me on drums, Ray Bushbaum on piano/organ, and Bobby Brain on tenor sax.
We never played nightclubs - just road gigs, proms and private parties. Bobby Brain came to us from Teddy & The Rough Riders. They were also a hot group in the area. We both played things for WING radio. Check out: www.thecoolgroove.com. That's Jim Colegrove's site out of Texas. You'll see Sonny and I both mentioned. I played in Jim's band, the Knights, when the Young Americans parted ways.
Ace Davis bought “The Alley Door” in the back of a church building, which was the first Coffee House in the Dayton area. On Sunday evenings, the Alley Door featured “The Jazz Lab” where black musicians, led by Ace Davis, were able to have a forum in the downtown area which at that time was closed to black musicians.
45 rpm website or at Buckeybeat.com
Ruth Terry’s most famous picture, and her signature song, was Republic’s “Pistol Packin’ Mama”. “People still remember me from that film. It was a good little picture. I like it a lot. A lot of hit songs came from those little pictures—‘I’ve Heard That Song Before’ by Sammy Cahn and Jule Styne from ‘Youth on Parade,’ for instance.”[Ruth Terry interview]
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A Glimpse of Jesus (3:00).
Healing in the Blood (3:45).
Sea Walker (2:05).
He’s Everywhere (2:45).
The Hem of His Garment (3:50).
All I Want Is Jesus (3:05).Braun sings and plays the organ.
When the Saints Go Marching In (2:40).
No One Ever Cared for Me Like Jesus (3:05).
He’s All I Need (2:30).
When Jesus Comes (3:05).