Saturday, February 6, 2010

The Rickshaw Five and Hoo Mei

12043 - Skip School Flu (Clip)
(R. Boling)

12044 - Jungle (clip)
(Kim Larn, Bragi Music Co. BMI)

A Mai-Lin production
Recorded in Hong Kong,

Encore Records - P.O. Box 2801
Washington D.C. 20013
Affiliate of Era International
1964

A 1962 copyright on the "Skip School Flu" side and a 1964 copyright on the "Jungle" side. Both titles were also issued on the CMP label. See The Nite Cats and the Rickshaw Five entry. "Jungle" on Encore is probably a re-recording of the CMP recording, while "Skip School Flu" (along the "Summertime Blues" line) is possibly the same recording. Anyway an unusual "sophisticated" label design for a record pressed by Rite.

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Thursday, February 4, 2010

The Dynamic Deadbeats

The Dynamic Deadbeats

18659 - Why Did You
18660 - No Second Chance

1967

Custom produced by Richmond Sound Stages
Richmond, Virginia


In mid '67 the band traveled up to Philadelphia to re-cut both tracks in a real recording studio released on the Strata label.

Their first single was on the Greenedeem label

The story of the Deadbeats is told by Funky Virginia here.

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Wednesday, February 3, 2010

Happy Fats on Thrift

Happy Fats

Thrift 1001

11547 - The Ballad Of Thrifty Joe   *
11548 – The Angel You Married

The Ballad Of Thrifty Joe : same tune as 'Froggy Went A Courtin'- flip is acoustic country ballad. The Thrifty Joe Show' was on Lafayette's KLFY TV.

clip only (both sides)


Leroy "Happy Fats" LeBlanc
1915 - 1988

From Eugene Chadbourne, All Music Guide:

"Happy Fats" professional career spanned half a century and began in 1932 when at the age of 17, Leroy LeBlanc got on-stage to play guitar with the band of Cajun music legend Joe Falcon. He also worked with Amedee Breaux during his green period, forming his own band, the Rayne-Bo Ramblers, in 1935...

He recorded for RCA and Decca, major label forays into swampland as well as prolifically for regional outfits such as Fais-Do-Do, Bella, and Cajun Classics.

There is also another All Music Guide Happy Fats notice (by Jason Ankeny) which - in a rather large part - has not failed to allow some comments on "the "poisonous Fats efforts" recorded in the late sixties for the Jay D. Miller's segregationist Reb Rebel label.

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The Deep South Singers on Woodrich

15679 - Jesus' Love
Woodrich 1252 (side 1)

15680 - The Lord Has Been So Good To Me
Woodrich 1252 (side 2)

Black gospel. Not listed. See Woodrich Records discography.

The Deep South Singers 1955
Top: Franklin Brandon,Leon Gaines,Howard Gaines,Edward Acklin
Bottom:T.E.Jackson,Otis Gaines
[Photo credit]

Gospel singers from Hunstville, Alabama. Leon Gaines died in January 2010.

Monday, February 1, 2010

Johnny Jones (Peachtree 102)

Johnny Jones & the King Casuals

Peachtree 102

20433 - Soul Poppin
20434 - Blues for the Brothers



Johnny Jones was born in 1936, and by the early 1950’s was living in the hotbed of urban blues, Chicago. Over the years he would play with both Junior Wells and Freddy King. Jones would move to Nashville, Tennessee in the early 60’s. There he worked as a studio guitarist and formed the band the Imperial Seven.
The King Casuals (some references list ‘Kasuals’) were formed in Nashville in the early 60’s. Early members included Jimi Hendrix on guitar and Billy Cox on bass. It’s not clear when Johnny Jones joined the group on guitar and vocals, but there are references to Jones and Hendrix having played together (possibly as the house band on a Nashville TV show).
Sometime after 1965 Hendrix and Cox both left the King Casuals. Cox would reunite with Hendrix a few years later in the Band of Gypsies. Read more HERE

Johnny Jones died in 2009. His obituary - with numerous comments - can be found HERE.


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Ivan Bloch on Bee


Ivan Bloch

Bee 1037 11/59

CP-2468 - A Sunday Kind of love
(Bell-Leonard-Rhodes-Prima; Peter Maurice Music Co.-ASCAP) 2:40

CP-2469 - Humdinger
(Fred Morgan- Norman Malkin; American Academy of Music ASCAP)

Numbers 2468/9 are in a nearby numbers series belonging to Lowery's NRC labels :
Scottie 1315 : 2452/3
JAX 1003 : 2454/5
NRC 043 : 2458/9
Bee 1037 : 2468/9
Peach 729 : 2471/2
Besides Rite account #240 found in dead wax is indeed the number allocated to National Recording Corp. (NRC).

In the September 14, 1959 issue of Billboard, Boots Woodall announced the set up of the NRC's own pressing plant equipped with ten presses imported from Italy. Apparently, two months later, the machines were not yet working. (or already out of order?).

Was Ivan Bloch related to Sonny Bloch who recorded with the Coralairs on NRC? Probably so me think.

There was a '63 Decca recording by Ivan Block. Was he the same singer?




Sunday, January 31, 2010

The Looper Trio : Life Beyond Death

The Looper Trio

Life Beyond Death

Label : Midwest Gospel Sound

[1971]

Side one - [27403]
Life Beyond Death (Melba Montgomery-Earl Montgomery)
We'll Have a Good Time (Unknown)
One More Valley (Dottie Rambo)
Don't Take My Cross Away (P.D.)
Walk Around Me Jesus (Traditional)
Too Much Sinnin' (Unknown)


Side two - [27404]
On the Other Side of Jordan (Unknown)
Too Much to Gain to Lose (Dottie Rambo)
I'm on My Way (Unknown)
What a Wonderful Savior Is He (W. Bruster)
What Will the Coming of the Lord Mean to You? (P.D.)
Here Today--Gone Tomorrow (Kitchen and Benson)

Picture and track list from Music You (Possibly) Won't Hear Anyplace Else, a friendly blog where you can pick up the sound.

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Houston and Dorsey : Out of This World

Houston and Dorsey

Out of This World

Comedy in Stereo

Carellen 145

1970


Side 1 - [26313]
Funnybones
Winchester Cathedral
(Toot-Ta-Root Game)
Memory Lane No. 2
Tennessee Waltz
(Boot Camp)

Side 2 - [26314]
More Funnybones
Butterbeans
Row Row Row Your Boat
"Makin' Whoopee" on a Honeymoon
Golf Game



From an article by Martha Dresser published by the Daytona Beach Morning Journal, May 7, 1977 [excerpt]:
Sonny Houston and Barney Dorsey met in 1948 at a Gardner, Mass. Radio station where they had separate shows. Deciding to join forces, they toured the country, sometimes with sidemen, for sponsors such as General Mills and International Harvester. They worked at many radio stations.

« We had to keep thje jokes cleaner then, » reminisces Houston.
« Nicey nice, » Dorsey mocks.
« They liked corney jokes like « How did your potatoes turn out ? ». Houston does a split second vaudeville pause. « They didn’t turn out. I had to dig them out ! ».

The two comedians had bad breaks and good ones. They say they did the song « Sloop John B » in a beach party movie. « Daytona Beach Weekend, » only to see the Beach Boys version of the song become a hit. On the other hand, their « Malaguena » and « Green Door » were playded on Dick Clark’s « American Bandstand. » Other movies included a racing picture, « Hell’s 400 » and a stint with Cesar Romero in « We Shall Return. » They’ve appeared with many big names, from Tex Ritter to Eddie Gorme.

Recordings of their act range from 78s on the Continental label to the Capitol label albums and tapes they sell now. They also have done television, doing a remote from Nashville for « The Tonight Show » when Steve Allen was host.

The comedians decided to settle in Daytona Beach in 1962, working at the Castawy Beach Motel and Kings Cellar before starting at Aku Tiki Inn.

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Patric Calfee

Patric Calfee
Dayspring
Morningstar MS-00001

1974

33607/33608

Tracks:
Gospel Ship
Sad Times
Joy Comes In The Morning
I'm Happy

I Was In The Spirit
Rock Of Ages
Eyes Of The Lord
Down By The Riverside
Pat Calfee :
As it turns out, that was a stock cover from Rite Records. I chose it because it seemed like a Yes or Led Zeppelin kind of look. [...] The Dayspring record was a home-grown affair - the entire recording budget was $315. The typesetting on the back was donated, the record label was hand drawn. I was 18 yrs old, with no money and no job - but a big desire to praise the Lord. I still think we made a good choice - the cover still looks cool - at least we don't have any printing on the front! :-)
Ken Scott :
It should be obvious from listening to loud psychy rockin’ cuts like ‘Joy Comes In The Morning’ and ‘Eyes Of The Lord’ that this Ohioan had access to a Glass Harp album or two. Good job in the production yet holds to a totally homemade and primitive sound with jammin’ acoustic bluesy folkrocking maneuvers in the league of Randy Matthews, Ron Moore, and Mike Johnson, sometimes choosing to handle all instruments (guitar, bass, piano, percussion) himself like on the magical ‘I Was In The Spirit’. ‘Rock Of Ages’ boasts a crude electric blues riff with raw basement vibe and lengthy leads. Closes with a raucous, hand-clappin’, buncha-folks-havin’-a-party version of ‘Down By The Riverside’. Unreal cover art depicting mountainous landscape with orange sky and giant green sun. 1000 made. (The Archivist by Ken Scott, 4th Edition)
From The Ancient Star-Song blog –Music of The Jesus Music Era



Patric(k) Calfee has his own website
where he tell the story of this record
You can also download
Dayspring
at the same place.

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Friday, January 29, 2010

Curtis Davis and the Arketts

Curtis Davis and the Arketts
Crossfires Band

Ronnie RJ-101

20217 - Tell Me
(Chuck McClendon) Ron-Jon Music BMI

20218 - Don't Count Me Out

Soul produced and arranged by Chuck McClendon. Double address on the label : Washington DC and Phila. PA.
But another release on Ronnie (Argie & The Arketts – You’re The Guy (That Put Tears In My Eyes) / Hey Baby) has just Washington DC as the address.

Curtis Davis had another release on the Pittsburgh Bev-Mar label.

Charles Ruben McClendon (Chuck) McClendon is the arranger and producer of the Contrails on Reuben (Someone / Mummy Walk).

This Ronnie label is not related to the song-poem label of the same name located in Broadway.

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Jack Grant ( Swannonoa)

Jack Grant sings

Swannonoa 001

31193 - Raleigh Train (P.D.)

31194 - Sweetheart You Let Me (Jack Grant)


Vocal with guitar & harmonica

1973

Sight and sound courtesy of VG- and his blog : Hanging On To An Echo


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Thursday, January 28, 2010

The Sound Track on Trail

The Sound Track

Trail TSRC-1706

20781 - I See The Light (wr Elliot Chiprut)
20782 - Groovin'

1967 garage. "I See the Light" was written by Elliot Chiprut, perhaps best known for writing the classic “Simon Says” for the 1910 Fruitgum Co. Flip is the Rascals tune.

The Trail label was the in-house label of Tri-State recordings Co., Ford Henry Drive, Kingsport TN
Owned by Tilford Salyer, the studio recorded all the popular Southern Gospel artists of that day. His son, Rick Salyer, and his producer, the late Bobby All, both became household names among Nashville recording studios.

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Grant Street Exit on Del-La

Grant Street Exit
Vocal by Wayne Schilling

Del-La 101

22251 - That's Why I Love You
22252 - I Got Soul

Telldell productions
[1968]

Rite account # 1089 (Odell Bailey)

Pittsburgh Soul also released on Millage

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Six Voices Of Zion Of Columbia S.C. on Golden Cross

Six Voices Of Zion Of Columbia S.C.

Golden Cross 103

24907 - You Promise Me Jesus
24908 - You Got To Move

Listen to "You Got To Move" HERE.

Possibly a Waymon " Gusman" Jones label.

A 71 recordings three-CD set of gospel recorded by Waymon Jones will be available next month:
Waymon "Gusman" Jones loved gospel music. Especially, he loved the rich stirring sounds of the quartets he heard as a farm boy in rural Georgia, then in his adopted hometown of Savannah, Georgia, where he set up his Gusman Record Shop. From his passion came an indispensible legacy of gospel song.


Between 1961 and 1978, Waymon Jones recorded and issued a stream of essential recordings by the Golden Stars of Greenwood, SC, the White Family Singers of Savannah, GA, the Six Voices of Zion of Columbia, SC, the Flying Clouds of Augusta, GA, and many others.

This three- CD set captures on 71 rare recordings the sounds Jones wanted everyone to hear, giving 21st century listeners a unique opportunity to roll back the years and hear the vital and vibrant sounds of a southern community's gospel music world in a simpler age. The enclosed booklet features historic group and label photographs and extensive notes by gospel music researcher and writer Alan Young.

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Tuesday, January 26, 2010

Bastille


Bastille

30299 - Trying To Be Free
30300 - The Music Ship clip

1972

From New Bedford, Massachusetts, according to Max Waller

Update : see http://ripitupri.blogspot.fr/2012/04/malibus-and-bastille.html

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Saturday, January 23, 2010

ARP Instruments : promotional EP

The ARP Family of Synthetizers

ARP Instruments
320 Needham St.
Newton, Mass. 02164

Promotional 33rpm EP
1973

A side -30761-
Music & Narration by Roger Powell (Music pieces by Dave Fredricks and Harry Coon)
(Also includes a bit of The Who "Teenage Wasteland")
Intro 1 :04

B side: -30762 -
1. Stinger - Dave Fredericks courtesy of Ad Rhythm Records
2. Queene Enfineska - Roger Powell from Atlantic Album Cosmic Furnace
3. Hermetic Enigma - Roger Powell from Atlantic Album Cosmic Furnace
4. Mockingbird Hill - Dave Fredricks



Alan Pearlman was an engineering student at Worcester Polytechnic Institute, Massachusetts in 1948 when he foresaw the coming age of electronic music and synthesizers. He wrote:

"The electronic instrument's value is chiefly as a novelty. With greater attention on the part of the engineer to the needs of the musician, the day may not be too remote when the electronic instrument may take its place ... as a versatile, powerful, and expressive instrument."

Following 21 years of experience in electronic engineering and entrepreneurship, Pearlman founded ARP Instruments in 1969 with US$100,000 of personal funds and a matching amount from investors.

Throughout the 1970s, ARP was the main competitor to Moog Music in the field of musically useful synthesizers. There were two main camps — the Minimoog players and the ARP Odyssey/ARP 2600 players — with most proponents dedicated to their choice, although some players chose to pick and chose between the two for specific effect, as well as many who dabbled with products produced by other manufacturers. The ARP 2500 was featured in the famous movie Close Encounters of the Third Kind. The ARP technician sent to install the unit, Phil Dodds, was cast as the musician who plays the alien tones on the synthesizer.

The demise of ARP Instruments, Inc. was brought about by the ill-fated decision to invest a significant amount of money in the development of ARP Avatar, a synthesizer module closely resembling ARP Odyssey, but equipped with a guitar pickup and a pitch-to-voltage converter. Although an excellent instrument by all accounts, the Avatar failed to sell well. ARP Instruments was never able to recoup the research and development costs and ended in bankruptcy.

From Wikipedia article

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JerJimHan label


Willie McClain and the Living Dolls

JerJimHan 102

17945 - Wide Track Tiger
17946 - Wide Track Drive


Jimmy Rollins


JerJimHan 101

17943 - Yippy-Ki-Yo-Christmas
17944 - Dad

1966

JerJimHan stands for Jerry Yates, Jim for Jimmy Rollins and Han for Hanley Johnson, owners of the label.

Jerry Yates, guitarist, teacher, author and studio operator, headed Jerry Yates Publications (located in Saginaw Street, Pontiac Michigan) known as "The Home of Space Age Methods for Piano, Guitar, Accordion, Organ and Banjo" and was widely known for its guitar literature.

Hanley Johnson
was born in Arkansas. He moved to Pontiac, Mi. in 1950. He worked more than 30 years at General Motors Fisher Body Division. As Tye-Tongue Hanley, he released two sides on the small Detroit R&B indie J-V-B label (started by record store owner Joe Von Battle) with “I’ll Try To Understand” and “You Got My Nose Wide Open” in 1955.

In the sixties, on the weekends he would go to Detroit with his blind friend Jimmy Rollins and jam at the studio. They eventually moved the studio to Pontiac and named it JerJimHan. Hanley and Jimmy wrote most of the music recorded for the label.
Hanley Johnson
died of prostate cancer in 1996.

An album called Merry-Go-Round-Of-Life (JerJimHan 102) has been popularized digitally since free tracks appeared on WFMU’s website in 2007.

Three other singles on the label were released :
103 Glenn Steffins : Half a Heart / It's Your World
104 Hymes Sisters with Cathy & the Goldtones
105 Chris Bradley : If I Get Over This / One Heartache

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The Nashville Rejects on Chesire


The Nashville Rejects

Chesire 82977

38669 - Endless Sleep
38670 - Battle of New Orleans

Jody Reynolds had a million-seller in 1958 with "Endless Sleep » (Demon Records). The single became a forerunner of death rock classics such as "Tell Laura I Love Her" from Ray Peterson and "Teen Angel" by Mark Dinning.
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Friday, January 22, 2010

The Haymarket Riot on CLB

The Haymarket Riot

CLB 691

24507 - Leaving
24508 - Sunny Day Song


Ron Shankleton,, Lead Guitar, Backing Vocals
Jim Doe, Lead Vocals, Guitar
Orlando (Dennis) Morales, Lead Vocals, Drums, Guitar
Phil Rish, Bass, Backing Vocals
Ken Lush, Keyboards, Flute

Two songs previously released on an album produced by Tom Conner in 1968 featuring
« Leaving » and the good-timey acoustic « Sunny Day Song ».

A favorite act in their hometown of Monroe, Haymarket Riot’s career spanned a large chunk of the decade playing the roller rinks, school hops and venues that sprang up along the Michigan/Ohio border, including a pretty regular stint at The Club. Starting out as The Avengers.

The band splintered in 1969.

More on The Haymarket Riot here.

This is not the CLB label out of Indiana. Many other Haymarket Riots are known to have existed :
  • Chicago band, backing Calvin James on Stature, 1967
  • One from Enid, Oklahoma, on Riot, 1968
  • The one on Coconut Groove, 1968, also from Michigan
  • And a Cincinnati band on London



Leaving



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Thursday, January 21, 2010

Rocky Chirchiglia Trio

Rocky Chirchiglia Trio

Album Sounds Recording

33839 - I'm Nothing But A Drunk
33840 - I'm A Loser

1974

Rocky Chirchiglia –Vocal, guitar & banjo
Don Gahagen- drums
Alan Himes- bass

Produced by A.S.R. Co.
Engineer John Uhrig

Album Sounds Recording Co.
264 W. Main St.
Ravenna, Ohio




"Boney Maroney"
Rocky Chirchiglia Band at "The Brier Hill Festival"
Youngstown, Ohio
Twelve brightly colored electric guitars hang silently on a wall, drawing the eye to an illuminated showcase where Rocky Chirchiglia’s first guitar — a Regal he bought for $12 in 1942 — rests on a shelf. The guitar’s strings are missing, the paint has been rubbed off and the wood is cracked. The showcase is mounted above stacks of old record albums, scores of amplifiers and groups of music stands in a room that emanates nostalgia at Chirchiglia’s House of Music, 5450 Mahoning Ave.

Between renditions of his favorite Italian songs he plays on a six-string acoustic guitar, Chirchiglia recounts how he became a musician. At 11 years old, he began guitar lessons. After eight years of lessons, he had learned to play a variety of guitars — flamenco, lap steel, four and five-string banjo, ukulele and mandolin. Today, the 77-year-old Youngstown resident passes on his extensive knowledge of music to people of all ages by teaching music lessons at his business, which he founded in 1979. He says he started the business to make a living from his passion and to teach people how to play instruments correctly. He teaches music lessons for the guitar, and another music instructor teaches lessons for clarinet, saxophone, flute and drums. People taking lessons may bring their own instruments or buy them from the House of Music.

After decades of owning and operating the business, Chirchiglia hopes to continue doing what makes him the happiest — indulging his passion for music. “I’m going to keep on going here as much as I can,” he said. “But if someone comes along and says ‘I want to take over your music store,’ for the right price, we may be able to work out a deal.” His wife of 53 years, Virginia, helps run the business by doing the bookkeeping. “She keeps me in line with everything, and that keeps me successful,” he said. He feeds his passion for music by playing in The Rocky Chirchiglia Band, which formed in 1946. The band mainly plays Italian music at festivals and functions throughout Ohio, western Pennsylvania and West Virginia. ..
(From Rocky Chirchiglia@MySpace)


Note : In the early sixties (or late fifties) Rocky Chirchiglia and his orchestra backed Tony Chick (aka Tony Chirchiglia, a brother? a cousin?) on the Hy-Joy label, on "A Car" b/w "Oh: By The Way". Rockin' Country Style rockabilly discography have no information about the date or the location of the label, but Youngstown, Ohio was likely home of the Hy-Joy label. ["A Car" was published by Jimbo, a BMI publisher name found on various other Youngstown labels.