Thursday, September 6, 2012

Carolyn Penley And The Shantones

Carolyn Penley And The Shantones

CP-7471 ~ That's All You Gotta Do

CP-7472 ~ The Twist

Piedmont Recordings
Lexington, NC

1962


Quite possibly the daughter of Rex Penley (1926-2007) bluegrass and country musician and singer of Asheville (NC) who had also a record on the same Piedmont label.



Label pic (B&W) and audio files are from "Savage Rockin' Girls" (Collector CD 4450, 1999)



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Wednesday, September 5, 2012

The Singing Frauenknecht Family


The Singing Frauenknecht Family
The Old Country Church



Side #1 – 38735

1. The Old Country Church (J.D. Sumner)
2. How Great Thou Art (Stuart K. Hine)
3. The Lighthouse (Ronnie Hinson)
4. I've Got More To Go To Heaven For (Jack Campbell)
5. The Old Rugged Cross (George Bennard)


Side # 2 – 38736

1. Ready To Leave (Joel Hemphill)
2. In The Garden (C. Austin Miles)
3. Glory Road (Mosie Lister)
4. I'm Feeling Fine (William J. & Gloria Gaither)
5. Let's Just Praise The Lord


Recorded in Rite Records Studio
Recording engineer – Phil Burkhardt
Producer & re-mix engineer – Dan Burton
Photography –Steve Green

Studio musicians :

Dan Burton- keyboards
Dennis Herrell-Bass
Kenny Bobinger-Percussion
Gary Smith-lead guitar

Date (est.) : October 1977 (or later)



Front (half-kneeled) : Mickey
Standing : Keith – Ruth – Dave – Ken

David M. (1936 –2006) and Ruth Frauenknecht (1937 – ) served several churches on Southwestern Ohio: New Burlington(14 years), Centerville, and Felicity. David was ordained in 1986 and retired in 2003.

Keith Frauenknecht is now director of Alpha Church Of Nazarene, Beavercreek Township, OH.



David M. Frauenknecht tombstone
Edwardsville Cemetery
Edwardsville Road at Kunker Road
Harlan Township, Warren County, Ohio




Acknowledgment : The Good, Bad & Ugly Gospel Record Barn (Mark Betcher)


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Monday, September 3, 2012

The Bright Clouds (SIR 106)


The Bright Clouds

27323 - When You See Me Walking
(Karr Enterprises, BMI)
Arranged and lead singer : Rev. George Temple

27324 - Mother's Love
(Karr Enterprises, BMI)
Arranged and lead singer : Simon Lofton


SIR 106

1970


The Bright Clouds on Bounty Records is almost certainly the same group (# 5598 : "It Was God (That Made The Trees)/ He's Coming Back", 1968 or 1969).

Are they the same Bright Clouds still active today in Rochester, New York ?


SIR Records discography



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Saturday, September 1, 2012

Calico on Gateway


CALICO

Vincent Sadovsky : Vocals, Banjo, Six And Twelve String Guitars
Karen Sadovsky : Vocals, Six String Guitar

Gateway Records
1979

This Side (40525)

East Street Getaway (Vincent Sadovsky)
Muddy Boggy Banjo Man (R.Hubbard)
Love Is Live A Butterfly (Dolly Parton)
Valley Of Live (Vincent Sadovsky)
Juggernaut (Vincent Sadovsky)
Some Of Shelly’s Blues (Michael Nesmith)

That Side (40526)

Embryonic Journey (Jorma Kaukonen)
I’ll Walk Along (Vincent Sadovsky)
Second Story Window (Mark Benno)
Them Dance Hall Girls (A. Fraser)
Nashville Skyline Rag (Bob Dylan)
So Many Goodbyes Vincent Sadovsky)

Recorded in Rite Record Productions Studio
Recording Engineer : Phil Burkhartd
Producer : Danny Burton




From MySpace

Vincent Sadovsky is no stranger to the music industry. In 1973 he opened an acoustic music store in Rochester, Michigan which he and his wife operated for over 30 years.

He has taught guitar, banjo, mountain dulcimer, and autoharp since 1970, and has become one of the most sought after instructor’s in Michigan for composition and technical ability for guitar and 5-string banjo. He currently teaches Guitar and 5-string Banjo at his teaching studio: Rochester Folk Workshop.

Over the year’s, Vincent has appeared on television and radio broadcasts. His performing has taken him from coffeehouses to festivals, to performing for dignitaries including former President, George Bush Sr. His expertise allowed him to become an "Artist In Residence" for the Michigan Council for the Arts. His passion for acoustic music led him to found and establish the Paint Creek Fokllore Society, a nationally known society of acoustic musicians which as been active since 1973. Vincent’s playing has appeared on radio and television commericals, documentary films, and as a studio musician on various recordings.



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Thursday, August 30, 2012

"Ten-Of-Us" on Wil-Met

Ten-Of-Us

14983 - Wild Yellow Flowers
T.L. Butler W.T. Curtis Rite Music BMI
6-65X2MR

14984 - Sally, Oh!
T.L. Butler Rite Music BMI
5-57X9 AMP

Dayton, Ohio

1965



Founded by 11 Centerville High School seniors. A musical group that performed folk songs.
Picture & soundfiles credit : The Ten Of Us



"The Ten Of Us"
Pictured In Front Of Sandy's In Kettering
(1965)




"Ten-Of-Us" reunited, July 2003
From Left to right and on the top: Denny Dutcher, Jim Dunn, Bill Curtis,
Terry Butler, & Ken Reed. Front row left: Joyce Marberger, Ginny Pulos,
& Janet Scott. Not pictured: Patsy Bair & Jennifer Griffiths.
(Sally Mowry, original member, died in 2001)

Sunday, August 26, 2012

Ronnie Moore on Teen's Choice


Ronnie Moore

CP-4341 ~ Time For School
CP-4342 ~ Sweet Shop Doll

Teen's Choice 7




Billboard October 17, 1960




R
onnie Moore, bassist and singer from Birmingham, Alabama. He was the previous year on Stomper Time Records in Memphis. Bassist of The Stompers, Eddie Bond's band.

Later bassist of The Gentrys ("Keep on Dancing", MGM Records).

Leon Bowman co-wrote "Sweet Shop Doll".

There was a Ronnie Moore who recorded for Major Bill Smith in Fort-Worth, Texas (records on Le Cam and Jaro), but probably a different artist.



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Saturday, August 11, 2012

Ken Idaho on Fame



Ken Idaho
Featured With
The Jimmy Heap Orch.

CP-2337 ~ From Loving You
Wm. E. Taylor, Mel-Mat Music BMI

CP-2338 ~ School Of Love
K. Aderhold, Mel-Mat Music BMI

Fame 506


Billboard, November 2, 1959


Fame Records and Mel-Mat Music were owned by Jimmy Heap and located in Taylor, Texas.




Ken Idaho, performing in 1963


Jimmy Heap (interviewed by Ray Campi) : "Ken took Perk Williams' place when Perk left. He was from South Carolina. When we started playing Las Vegas we found out we had to do a lot of show, comedy stuff, and Ken wrote and performed a lot of comedy. He ended up becoming associate editor of a joke magazine called "Sex-To-Sexty." He writes jokes for the magazine "


From (edited) Jim Linderman's blog FORGOTTEN VINTAGE SLEAZE ARTISTS :

Jimmy Heap , an old time Texas swing and twangster, recorded for decades and turned in at least one standard, the mournful "Wild Side of Life" which includes the immortal line "I didn't know God made Honky-tonk angels." Somewhere along the way, his songs became stale as the beer smell in a Texas honky-tonk, so to spice things up he added a comic to his act. Ken Idaho was a singer and sax player in the band, but he had a talent for bawdy humor, opening act style, so Ken would warm up the audience with some "Hey, how you doing, is that your wife or your mistress" humor. Umm...which came first? The chicken or the chicken wire in front of the stage?

Ken Idaho was actually Ken Alderhold, brother of steel-guitar Slim Idaho (real name : Dewey Hubbard Alderhold Jr.).

Somewhere along the beer trail, Jimmy Heap and his country boys decided a party record would sell more than just another "weeper" so they hooked up with the Sex to Sexty guys! Sex to Sexty is the putrid periodical of dirty humor which had a good run in the 1970s. Sex to Sexty was itching to expand their sleazy publishing empire into the lucrative recording industry


Friday, August 10, 2012

Gary Hamilton And The Northernaires on Capitol Star Artist



Gary Hamilton And The Northernaires

18339 – Forever Is A Long Time
Gary Hamilton, Red-Pol Music Co., BMI

18340 – Country Music Rock
Frank Ellis, Red-Pol Music Co., BMI

Capitol Star Artist
67 Chesnut Street, Rochester, N.Y.

Produced by Fine Studios, Rochester, N.Y.

1966


Label owned by Donald L Redanz (1927 - 1999)

The Northernaires is a band still active today, and is now led by Dick Jopson of Hemlock on vocals and rhythm guitar. Dick started his professional music career in 1957 with the Rhythm Riders before joining Gary Hamilton & the Northernaires as second vocalist. Gary’s departure to Florida in 1971 saw Dick taking charge of the band, which in coming years would open for Sonny James, Stonewall Jackson, Tommy Cash and the Hager Brothers, and serve as the house band at the Dansville Moose Club. http://www.geneseony.com/events/events.asp?ID=1


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The Sensational Stereos At the Martinique


The Sensational Stereos
Vocals by Tommy Knight


11901 – Memphis - I Go Crazy - Try Me

11902 –Good Lovin' - Bewildered -Lost Someone

Martinique Nite Club Presents
EP 17

Recorded live Easter 1964
Daytona Beach, Fla.
Produced by Bill Sauls

1964



Lee Hazen
:
Back in the early-mid 60's I used to carry my Ampex 960 2 track recorder around to clubs and record groups playing live.

I [...] have great recordings of "The Stereos" at the Martinique in Daytona with Tommy Knight singing a James Brown style show one night. Jim Matherly played lead guitar .

Bill Sauls a.k.a. Bill "Sweet William" Saul

Bill Hileman, Stereos drummer :

In 1964, [I] was drafted by a hot local band called, “Sweet William & The Stereos.” And wouldn’t you know it? They were from the same high school Bill attended in Knoxville! They played Florida, Tennessee and Washington, D.C., for years, including a 4-month stint in 1965 which Duane Allman was their fill-in guitarist. Later, Duane went on and formed a band called ‘The Allman Joys,’ with his brother, Gregg, and a drummer which Bill had personally tutored. The Joys improved enough by Spring Break that year that they were able to play during Sweet William’s musical breaks.

Shortly thereafter, Sweet William started playing back-up band to the main attractions at the Martinique in Daytona including Dee Dee Sharp, Lou Christy, Sam & Dave, Bo Diddley, Del Shannon, Jackie Wilson, The Marvelettes, The Angels, Ray Stevens and The Dovells.

In 1966, Sweet William recorded their first album at R.C.A. Studios in Nashville, Tennessee. Their first single made it to 123rd on the Billboard charts without any promotional backing. The band’s success enabled them to open for the Rolling Stones and a Ray Charles sound-alike “as of yet unknown” Ronnie Millsap in Knoxville, and also, for Roy Clark at Chilhowee Park.


Bluegrass mandolinist Sam Bush :

Now, looking back, I'd probably be scared of a lot of the people we were hanging out with. Right down the street was a house band called Sweet William & The Stereos. Sweet William was a really big guy. They did R & B and rock & roll of the day and there were topless dancers there. Basically, the only people down there in those days were rock bands, strippers and hookers! (laughs)



Tommy Knight

Probably not a regular member of The Stereos, from Knoxville, Tennessee. The vocalist here came from New-York and relocated to Florida.

I found several mentions of Tommy Knight, soul and RnB singer on the internet. Not sure if all are refering to the same Tommy Knight.


In 1961, came two Kim productions, one on the Gold Eagle label (That's All I Ask / There's No Pain ) and the other on Atlantic's subsidiary Atco (It's Real / Say You Do).

In 1964, there was a release on San Francisco's Emerson label in 1964 (Yes Yes Go On / Ha Ha Ha And Oh Oh Oh)

Mid sixties? : two acetates have surfaced : Don’t Bring Back Those Memories sent to Eddie Singleton's Shrine Records, a Washington D.C. label and "Baby My Love" (Abtone studios recording).

Tommy Knight was certainly one of the artists who recorded under aliases in the Ed Chalpin's Studio 76 in New-York. One of these aliases was Slim Pikins.

Mike Rashkow, who worked there, has thus described the Ed Chalpin enterprise :

When I worked at Studio 76 [Ed Chaplin] business was something I had never heard about, nor knew existed. It was the reason he had a studio and the reason we had 10 track, as bad as it was. Basically, the business was making quick, down and dirty (and I would guess unlicensed) covers of bulleted chart movers, and then leasing them out to labels in foreign countries. He had ongoing business relationships with a group of labels all over the world. These independents, with which he regularly did business, would get the covers on the street before any major label even realized they had a hit or could get someone in their legal department to draw up a contract.
You can hear "Tighten up" HERE. (released on the german Vogue label in 1968 and probably on other labels).



In 1981, Tommy Knight and the Mighty Knights were the featured artists on the Babette Bardot Revue at the Kings Inn Motel in Daytona Beach.

Babette Bardot (born 1940) is the stage name of a buxom Swedish actress (and burlesque dancer) who appeared in Russ Meyer's films, including Common Law Cabin and Mondo Topless.



Wendell Holmes (The Holmes Brothers) :

"We used to work with Tommy Knight, the band was called Tommy Knight and the Mighty Knights, and we would gig mostly in Harlem and at private dances," said Wendell Holmes. "We used to play at a bunch of different clubs in the 1960's. There was a lot of night life in Harlem and it was exciting. We played more soul stuff and top 10 than straight-up blues, even though I'd rather play blues and gospel, but that wasn't really up to us. But all that scene just vanished.


Guitarist Wild Jimmy Spruill, tired of session work, formed an East Coast nightclub trio in the mid-sixties, with singer Tommy Knight and drummer Popsy Dixon


Finally, mentions of a Tommy Knight Trio in some New-York venues are made in seventies newspapers.




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Wednesday, August 8, 2012

Tommy Long And The Varatones on Bellwood

Tommy Long And The Varatones
Music By "The Commanders)

10409 - D.J. (Disck Jockey) Joe
(Geo.Moore, RalTip Music BMI)



Tommy Long
Music By "The Commanders

10410 - High School Heart
(Tommy Long, RalTip Music BMI) )

Bellwood Records 635N10
PO Box 3572
Richmond, VA

1963

Both sides arranged by Geo. Moore


sample from groovy_grooves who has one copy for sale.

No info on Tommy Long or on the Varatones (who are only on the A-side) or on the Commanders.

The label was probably owned by Geo Moore (George Henry Moore) also owner of RalTip Music. Geo Moore issued at least two other records on Bellwood. See listing here.

Mr Moore was also a songwriter. He copyrighted several songs in the forties (Blessed Jesus, 1946).



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Tuesday, August 7, 2012

The Original Five Blind Boys Of Mississippi on Marathon


The Original Five Blind Boys Of Mississippi


CP-2420 ~ A Weeping For A Mighty Long Time
(Harvey-Duckworth, Calvin Brown, BMI)

CP-2421 ~ Take Your Burdens To Jesus
(Harvey-Brown-Duckworth, Calvin Brown, BMI

Marathon 182-1

November 16, 1959 (Billboard review)



Writers of both songs are Dr J. Gerald Harvey and Pauline Duckworth who wrote and/or produced for Calvin Brown, the owner of Marathon Records, at least two other records : the secular Rich McQueen & his Rhythm Rockers (Marathon Records) and gospel James Anderson (Electro Records).



One of the few gospel groups to make the R&B charts, the Five Blind Boys of Mississippi were a powerful aggregation who were known to have influenced Ray Charles, among others.


The Piney Woods School, near Jackson, Mississippi, was one of the pioneer establishments in education for blacks and it had a separate teaching for blind children. Some blind students began singing there, on of the school grounds in 1936. They were called the Cotton Blossom Singers.

In the mid-1940s, they began calling themselves the Five Blind Boys.

In the late fifties, the health of their lead singer, Archie Brownlee, deteriorating, the owner of Peacock Records, Don Robey, for whom they recorded extensively since 1950, probably had no intention of re-signing them and sent them on their way.

That's when they recorded for Calvin Brown's tiny Marathon Records, not a Checker subsidiary as I've seen written. The single was also released subsequently on Checker Records [#953, May 1960].

In 1961, they recorded a very successful album for Checker called "I'll Go". According to one source, Just Moving On, This was not to Robey's liking. While on tour in Houston, Robey paid them a visit. "Chess has a lot of money," he said, "why don't you tell them you're still under contract to me, and we'll sue them for big bucks!" ...


The group has seen numerous personnel changes, as it's quite normal for a such long lasting aggregation. Also, they were not always five... They were not always all blind... They were not always all from the Magnolia State... But.. boys? are you going to ask. Wait.

According to a review of E. Patrick Johnson’s Gays and Gospel: A History
of Sacred Music
”, "One of the more interesting asides is that a member of the Five Blind Boys of Mississippi was found to be a “she” after his death in 1994."

It's interesting to see how some reviewers are going right to the important.

God works in mysterious ways


Saturday, August 4, 2012

Tony Bowens And The Soul-Choppers


Tony Bowens And The Soul-Choppers

21181 – Don’t Be So Mean
21182 - Boilin’ Water

Tony Bowens

1968

Recorded in NY Bell studios.

One of the most popular bands in Hartford, Connecticut.

Bertha Lee ``Glass'' Bowens, Tony's mother, managed the Soul-Choppers band formed in 1967 around Tony. In 1968 they won amateur night at The Apollo Theatre in NYC. The band recorded one other single 'Do you feel it' pts 1 and 2.

Leader Tony played sax. Lt. Tony Bowens was killed in Vietnam in 1970.

Guitarist was Eli. Eli is originally from Savannah, GA. After his move to Hartford in 1967 Eli played with, "Tony Bowens and the Soul Choppers". Eli was the only black guitarist in Hartford playing in a 'punk' band, "The Repels". Later known as XY Eli.

Rob Fried was the drummer [1]. Another member was Sharon Clay Watson, who had already recorded with the Daydreams, a female singing group she had formed.

Hartford musician Roland Carter remember Tony Bowens in an interview :

Man, Hartford was burning hot during that era. I guess music was the commonality of that generation, huh?

I have a cousin in N.C. (North Carolina) named Joe that was born blind. Joe was considered to be a musical prodigy because he could not only play almost any kind of instrument; he was a fantastic singer as well. I took Tony Bowen and The Soul Choppers' 45(record) "Don't Be So Mean" down with me and he freaked out on how good Tony and the group sounded. He played that song over and over. He called Tony the best sax player he had ever heard. That song became the yard stick around here by which all of the up and coming sax players were measured.
from Roland Carter interview HERE


[1] Not the drummer ? : see Funkman53 in comments

A copy is currently auctioned at eBay. Five copies are archived in popsike, in the 150-415 $US range.







Thursday, August 2, 2012

The Pilgrim-Aires on Process

The PILGRIM-AIRES
Lead By Sonny Motley

11713 - God's Saints



The PILGRIM-AIRES
Lead By Melvin Johnson

11714 - I Trust In God

Process 114

1963

black gospel

sample


Melvin Johnson recorded also as the leader of The Barnett Harmonizers of Washington, D.C. (Lark Records).


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Sunday, July 29, 2012

Dave Wilburn on Redwing


Dave Wilburn

11435 - Why Can’t I Have You?
11436 - Ninety-One Pounds of Lovin’

Redwing

1963


One of the first records on the Redwing label. a label possibly owned by Hale Vance, a country singer and musician who also (later or about the same time?) worked as a distribution clerk at the Rogersville, TN Post Office.

The label issued some ten singles between 1963 and 1966. Two (Jay Earls and James Dotson) are listed in Rockin' Country Style.



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Saturday, July 28, 2012

Helen June Gray and The Noojinaires

Helen June Gray
and The Noojinaires


CP-1984 - Gimme, Gimme
CP-1985 - Too Late For Tears

both wr. Ferguson-Ferguson, Double "M" Music BMI

Reed RR 1023

1959



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Thursday, June 14, 2012

Dabbie Kaye on Cabut


Dabbie Kaye and The Original Road Rangers

24445 - The Third Man
24446 - Satisfied

Cabut 1015

8 Mohican St.
Shelby, Ohio


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Tuesday, May 22, 2012

Tommy Baldwin on REM

Tommy Baldwin

CP-4027 ~ Since You've Been Gone

CP-4028 ~ I Know

Rem 301


The initial release on the Bob Mooney's REM [Robert E. Mooney] label.

Not much is found about Tommy Baldwin who had a gospel record the following year on the Jack Rains' Rains label, also located in Lexington, Kentucky. Guitarists Kenny Whalen & Frank McDaniel backed him on that record.


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Anna May Johnson sings


Anna May Johnson
sings

20985 - Time And Time Again
20986 - Songs Tell A Story

Rite 1913

Produced by Clay Eager

1967



Anna May Johnson had started her music career in 1940 at the age of 14, appearing as the “Sunbonnet Girl” on WMRN-AM in Marion, Ohio. At 24, she married fiddler Hank Johnson, and the two went on tour together playing barn dances and radio shows on the weekends. As their family grew, so did the band. Daughter Janet played drums; son Billy sat in on guitar. It wasn’t just a hobby. The family needed the money.

“Those were very lean times, and music kept food on the table,” remembered Billy Johnson from his home in Madison. “She always did the best she could with what she had.

By 1977, however, her children had grown and moved away, and Anna May grew tired of the music business. She decided to relocate to Nashville, where Billy had moved. She got a job in the Opryland gift shop and abandoned her hopes for a singing career. Then one night she was at Stage Door Lounge when the performers onstage recognized her in the audience and asked her to sing. The appearance led to a regular gig, and by 1980 she was singing weekly at the Nashville Palace.

Boxcar Willie was there one night when the woman singing onstage. Anna May Johnson was more than 60 years old, but she belted out songs and worked the room with professional aplomb. After the show, Boxcar Willie drew her aside. “What you need is a gimmick,” the Singing Hobo is said to have told Anna May. “I picture you in some kind of granny outfit.”

From that day forth, Anna May was Granny Johnson.

She died died April 1, 1997 of breast cancer at the age of 72.


From [http://www.nashvillescene.com/nashville/vox-kronoid/Content?oid=1181241]






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Wednesday, May 9, 2012

Chuck Barr and the Playboys on Barclay



Chuck Barr and the Playboys
10137 ~ Espanie'l

Clyde & Chuck with the Playboys
10138 ~ My Lonely Guitar

Barclay

Orwigsburg, PA




Chuck Barr, 1999

"We did a lot of hoedowns back then," he said of his group Chuck Barr and the Blue Mountain Playboys. But I'd sneak a rockabilly song in there once in a while."

Locally we had Bill Haley and his Comets and "Rock Around the Clock," Barr said. "He was from Chester, so he played up there a lot. He only had the one song, though. He really couldn't sing."

Barr got deeper into rock and roll by establishing a "hop" at the Fieldhouse in Hamburg. By that time he was fronting a group called Chuck Barr and the Playboys. "We had the hop every Sunday night, he said. And we were also at the Route 83 roller rink, the Fleetwood Grande, the Kutztown Armory... we were all over the place. The Playboys also played the clubs on Penn Street including the Melody Bar and Oasis. He remembers that rock and roll wasn't always accepted by the other musicians who played the same venues. They hated us, he said. "They were more jazz fellows and we were rockabilly. They didn't like our music at all. They were musicians and we were three chords and hammer away."

Barr's own musical tastes were developing and he was more of a fan of Carl Perkins than Elvis Presley. "I just thought Perkins was the better artist," he said " Elvis didn't impress me". He and the Playboys cut a record at the home of Clay Barclay (a record-producer whiz kid at 16) as the '50s ended. I wrote a three-chord song called "Joe Botch " he said. And we recorded it at Clay Barclay's house. His father had bought him a tape recorder so that's where we went to record it. We were around the microphone and the drummer was in the closet. ...

From an (edited) article published by the Reading Eagle on August 30 ,1999.





Ronald G. "Chuck" Barr, 77, died Friday surrounded by his loving family at his home in Hamburg.

Born in Hamburg, he was a son of the late Joseph and Florence Barr.

At the age of 17, he joined the Marine Corps and served in a tank battalion in Korea in 1951-52.

He worked at Hamburg Plow Works and later became a painter, most recently at the Hamburg Center, until his retirement.

Music was his great joy. He began with country western music, playing with several local bands. He moved on to rock 'n' roll, with the Rockabillies and then the Playboys. Loss of hearing curtailed his music for a time, but ear surgery brought it back. His love of folk music, especially Irish, led to the formation of The Shanachians. This group was well-known in Berks and Schuylkill counties and beyond. Later, as a solo performer and song writer, he continued to sing and tell stories for a wide variety of audiences. Although weakened by lung cancer, his last gig was with the Jalappa All-Stars in Centerport on Feb. 10.

Obituary published by Republican & Herald on April 9, 2011





Clay Barclay is still recording today in Louisville, Kentucky :

50 years ago, Clay Barclay Jr. started recording the coolest Rock and Roll bands in the basement of his parent's house in Orwigsburg, Pennsylvania. Throughout the 1960's he recorded a slew of Rock 'N Rollers including The Triumphs, The Ramrods, The Flowerz, The Yankee Rebels, The Starlites, and some songs by the man whom we now know as Pat Garrett. Using cutting edge Crown Electronics, and mad skills, Clay was able to capture these bands with a clean sound that still sounds great today. Now based out of Louisville, Kentucky, Clay is still recording big name acts with cutting edge equipment, although now it's all digital and high definition. Learn more at barclaysound.com.






Links :



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Ralph Studer with the Dixie Drifters


Ralph Studer with the Dixie Drifters

CP-6517 - Just Me and My Aching Heart
CP-6518 - I'm Heartbroken (Mildred O. Kish)

Stud

[Grand Rapids, OH]


Ralph Raymond Studer (1929-1995) was a farmer, factory worker and musician. Thus are the meager details gathered from a genealogy website.

Composer of the B-side, Mildred Oretta Kish (born Studer) was Ralph's sister. More details are found here.

Ms. Kish was born in Waterville in 1919 to Asher and Carrie Studer. She and her husband ran a grain mill in Grand Rapids. She died in 2006.



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Tuesday, May 8, 2012

Linda Talley on Raindrop

Link
Linda Talley
Music By The Mavericks

26327 - My Heart Overruled My Mind
(Robert G. Chilton, Jr., Drone Music Pub. BMI)

26328 - Don't Ever Trust A Man

Raindrop Records

St. Charles, Missouri

1970



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Saturday, April 28, 2012

J. Mercy Baby on P&P

J. Mercy Baby and the Wonders
14333 - He She's Mine

J. Mercy Baby and Lil-Lether
14334 -The Letter

P&P 101
P&P Records Co.
314 Mobile St. Hattiesburg, Miss.

Both wr. Julius Mullins
Mercy Baby Music, BMI
1965



J. Mercy Baby

15143 - I Tried It
15144 - I Messed Up

Both wr. Julius Mullins
Mercy Baby Music, BMI

P&P Records Co. 105
314 Mobile St. Hattiesburg, Miss.

1965


P&P Records Co.


This is drummer and blues singer Julius "Jimmy" Mullins. on his own label.

Five singles were released, all in 1965. Only one is not by J. Mercy Baby : #102 Helen Williams & the Zionettes.

From JC Marion :
One of the session players on Frankie Lee Sims recordings for Ace was Jimmy Mullins. With Sims and the rest of the combo he took the lead vocals and recorded under the name Mercy Baby. In Dallas in 1957 Ace # 528 was released with the tunes "Marked Deck" and "Rock And Roll Baby". A follow up recording was released on Ace # 535 in October of the year and included the songs "Silly Dilly Woman" and "Mercy's Blues".

During early November Mercy appears with Frankie Lee Sims for Al Benson's big R & B show at Chicago's Regal Theater. Others on the bill are Big Maybelle, Screamin Jay Hawkins, The Dells, Mello-Kings, Joan Shaw, Priscilla Bowman, and Titus Turner. Late in 1957 Mercy recorded for the Ric label based in New Orleans and the tunes "Don't Lie To Me" and "Pleadin" which was issued on # 955.

The next year still located in Dallas, Texas, Mercy recorded for his own label Mercy Baby Records and released two sides. The first on # 501 issued in November was "You Ran Away" and "Love's Voodoo". The second release in June of 1959 was on Mercy Baby # 502 featured "The Rock And Stomp" and "So Lonesome".

Hear a rare Jimmy Mullins recording HERE followed by Finny Mo talkin to Mercy Baby on the phone at the end of recording - and Zuzu Bollin laughing in background (from a KCLE radio show, 1976).



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George Brock and the Happy Rhythm Boys on Ark


George Brock and the Happy Rhythm Boys

CP-7415 ~ Memories Of Dad
CP-7416 ~ Help Me Be A Better Christian

Ark 213

1962


George Brock

His first?

Also recorded for REM Records (1965-1966), Jewel (1967) and Starlite.

G. Brock discography HERE

Wednesday, April 18, 2012

Mason Gay on Country Music


Mason Gay
Singing With Guitar

CP-4363 - The Girl I Met At The Bar
CP-4364 - I Never Have The Blues

Both wr Mason Gay, Rite Music BMI

Country Music Records # 501
Forest, Mississippi

1960



eBay donchriss auction ending April 23.




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Monday, April 16, 2012

Smokey Norman on Smokey's


Smokey Norman / Blue Ridge Buddies

11455 - Intoxicated Rat (Dixon)
11456 - Why Did I Cross Over? (Norman DeHart)

Smokey’s Records
1201 Cloverdale Street
High Point, N.C.

1963


"Intoxicated Rat" is a cover of a song first recorded the Dixon Brothers :

According to Gus Meade's book Country Music Sources, Dorsey Dixon, one of country music's finest early songwriters, is the originator and composer, c. 1935. The song was recorded with his brother Howard as the Dixon Brothers in Charlotte, NC, February 12, 1936, and released in June 1936 on Bluebird and Montgomery Ward: BB B6327, MW M4823.


The Dixon Brothers version is on youTube

Label pic from current eBay auction (auction has a sample of both sides)
thanks : http://myworld.ebay.com/djmackgyver

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Friday, April 13, 2012

Bobby Vernon (Air 5019)


Bobby Vernon with Orchestra

CP-3977 – Hey, Little Baby!
(Alwin Krugler, Active BMI)
sample

CP-3978 - Please Don't Tell
( )
sample

Air Records 5019

Produced by Rite Records
("produced by" here meaning probably "pressed by")

1960

Label picture and audio samples : eBay http://myworld.ebay.com/chriscarnahan2

Air Records was located at 3170 SW 8th St., Miami Florida, address of the Silver Court Trailer Park which was once the winter camp for the Ringling Brothers Circus.

Producer and songwriter Jack A. Curry, owner of Air Records, had also other interests outside the "music" world, showing a big concern for the well-being of other people :

In 1953, he wrote "Vitamins cured my bothersome ailments; or, Allergy, no such".

In the mid-sixties he copyrighted two revolutionary inventions :


Air Records links :
http://www.songpoemmusic.com/labels/air.htm

http://www.45rpmrecords.com/ST/Air.php

http://rcs-discography.com/rcs/label.php?key=28




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Saturday, April 7, 2012

Pat Riley And The Rockets on Reed


Pat Riley And The Rockets

CP-1769 ~ I Need You Baby
CP-1770 ~ Little Bop A Little

Reed 1201

May 1959




"Little Bop A Little" saw the light again in 1997, thanks to Cees Klop (The Rockin' "Reed" Recordings, Collector CD 4440), which was not the case of "I Need You Baby".

Both songs were written by one Payne (probably Irvin Payne, a guitar and steel player who died in 2009. Irvin Payne taught many people in the Birmingham area how to play guitar for over 50 years).

The "Sensational" Pat Riley on Tin Pan Alley (two singles in 1957) is obviously a different Pat Riley. You can hear Pat "not bopping" Riley at YouTube here, here or even here...

In the sixties, there was one Pat Riley on Gold Standard and one on Bandit. but I've not heard them.

Another Pat Riley listed in Billboard on Whiz Records (1968) but it's a misprint. The artist is actually Pat BRILEY.




Reed Records was founded by Homer Milam in 1958. The first releases were pressed by the RCA Records custom division and the songs published by Double "M" Music, BMI. The Pat Riley record is one of the first of many pressed by Rite Records. Later records were published by Starland Music, a company owned by Gary Sizemore, blues singer Jerry McCain’s manager and sales manager of the Bel-Aire Distributing Company (formed in Birmingham in 1959).
This is perhaps the indication of a change of the label's ownership.

According to Malcom Chapman, Reed Records & Recording Service was located above Brittney’s Cafe on 1917 First Avenue N in Birmingham.

The studio was already active as early as 1956, when Birminghamian Baker Knight (and his Knighmares) recorded here “Bring My Cadillac Back" (Kit Records, leased to Decca).

According to Bobby Mizzell, Homer Milam had a heart attack and died in the early 70's. "They tore Reed to the ground and I have no idea what happened to all those records." (see Bo Berglind article).


Label pictures credit : Udo Frank

Reed Records discography (Rite pressings only) 45rpmrecords.com

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